Sigiriya | pageviews : 3383

Sigiriya (Lion's rock, Sinhalese) is a place with a large stone and ancient rock fortress and palace ruin in the central Matale District of Central Province, Sri Lanka, surrounded by the remains of an extensive network of gardens, reservoirs, and other structures. A popular tourist destination, Sigiriya is also renowned for its ancient paintings (frescos),[1] which are reminiscent of the Ajanta Caves of India. It is one of the eight World Heritage Sites of Sri Lanka.

Sigiriya may have been inhabited through prehistoric times. It was used as a rock-shelter mountain monastery from about the 5th century BC, with caves prepared and donated by devotees of the Buddhist Sangha. According to the chronicles as Mahavamsa the entire complex was built by King Kashyapa (477 - AD 495), and after the king's death, it was used as a Buddhist monastery until 14th century.


The Sigiri inscriptions were deciphered by the archaeologist Senarath Paranavithana in his renowned two-volume work, published by Cambridge, Sigiri Graffiti and also Story of Sigiriya.[2

History

In AD477, prince Kashyapa seized the throne from King Dhatusena, following a coup assisted by Migara, the king's nephew and army commander. Kashyapa, the king's son by a non-royal consort, usurped the throne from the rightful heir, Moggallana, who fled to South India. Fearing an attack from Moggallana, Kashyapa moved the capital and his residence from the traditional capital of Anuradhapura to the more secure Sigiriya. During King Kashyapa's reign (477 to 495), Sigiriya was developed into a complex city and fortress.[citation needed] Most of the elaborate constructions on the rock summit and around it, including defensive structures, palaces, and gardens, date back to this period.

Kashyapa was defeated in 495 by Moggallana, who moved the capital again to Anuradhapura. Sigiriya was then turned back into a Buddhist monastery, which lasted until the 13th or 14th century. After this period, no records are found on Sigiriya until the 16th and 17th centuries, when it was used as an outpost of the Kingdom of Kandy. When the kingdom ended, it was abandoned again.


The Mahavamsa, the ancient historical record of Sri Lanka, describes King Kashyapa as the son of King Dhatusena. Kashyapa murdered his father by walling him up alive and then usurping the throne which rightfully belonged to his brother Mogallana, Dhatusena's son by the true queen. Mogallana fled to India to escape being assassinated by Kashyapa but vowed revenge. In India he raised an army with the intention of returning and retaking the throne of Sri Lanka which he considered to be rightfully his. Knowing the inevitable return of Mogallana, Kashyapa is said to have built his palace on the summit of Sigiriya as a fortress and pleasure palace. Mogallana finally arrived and declared war. During the battle Kashyapa's armies abandoned him and he committed suicide by falling on his sword.

Chronicles and lore say that the battle-elephant on which Kashyapa was mounted changed course to take a strategic advantage, but the army misinterpreted the movement as the King having opted to retreat, prompting the army to abandon the king altogether. It is said that being too proud to surrender he took his dagger from his waistband, cut his throat, raised the dagger proudly, sheathed it, and fell dead.[citation needed] Moggallana returned the capital to Anuradapura, converting Sigiriya into a monastery complex.


Alternative stories have the primary builder of Sigiriya as King Dhatusena, with Kashyapa finishing the work in honour of his father. Still other stories have Kashyapa as a playboy king, with Sigiriya a pleasure palace. Even Kashyapa's eventual fate is uncertain. In some versions he is assassinated by poison administered by a concubine; in others he cuts his own throat when isolated in his final battle.[3] Still further interpretations have the site as the work of a Buddhist community, with no military function at all. This site may have been important in the competition between the Mahayana and Theravada Buddhist traditions in ancient Sri Lanka.

The earliest evidence of human habitation at Sigiriya was found from the Aligala rock shelter to the east of Sigiriya rock, indicating that the area was occupied nearly five thousand years ago during the Mesolithic Period.

Buddhist monastic settlements were established in the western and northern slopes of the boulder-strewn hills surrounding the Sigiriya rock, during the 3rd century BC. Several rock shelters or caves were created during this period. These shelters were made under large boulders, with carved drip ledges around the cave mouths. Rock inscriptions are carved near the drip ledges on many of the shelters, recording the donation of the shelters to the Buddhist monastic order as residences. These were made within the period between the 3rd century BC and the 1st century AD.

Archaeological remains and features

In 1831 Major Jonathan Forbes of the 78th Highlanders of the British army, while returning on horseback from a trip to Pollonnuruwa, came across the "bush covered summit of Sigiriya".[4] Sigiriya came to the attention of antiquarians and, later, archaeologists. Archaeological work at Sigiriya began on a small scale in the 1890s. H.C.P. Bell was the first archaeologist to conduct extensive research on Sigiriya. The Cultural Triangle Project, launched by the Government of Sri Lanka, focused its attention on Sigiriya in 1982. Archaeological work began on the entire city for the first time under this project. There was a sculpted lion's head above the legs and paws flanking the entrance, but the head broke down many years ago.

 

Sigiriya consists of an ancient castle built by King Kasiappan during the 5th century. The Sigiriya site has the remains of an upper palace sited on the flat top of the rock, a mid-level terrace that includes the Lion Gate and the mirror wall with its frescoes, the lower palace that clings to the slopes below the rock, and the moats, walls, and gardens that extend for some hundreds of metres out from the base of the rock.

The site is both a palace and a fortress. Despite its age, the splendour of the palace still furnishes a stunning insight into the ingenuity and creativity of its builders. The upper palace on the top of the rock includes cisterns cut into the rock that still retain water. The moats and walls that surround the lower palace are still exquisitely beautiful.[5]

Site plan

Sigiriya is considered one of the most important urban planning sites of the first millennium, and the site plan is considered very elaborate and imaginative. The plan combined concepts of symmetry and asymmetry to intentionally interlock the man-made geometrical and natural forms of the surroundings. On the west side of the rock lies a park for the royals, laid out on a symmetrical plan; the park contains water-retaining structures, including sophisticated surface/subsurface hydraulic systems, some of which are working even today. The south contains a man-made reservoir; these were extensively used from the previous capital of the dry zone of Sri Lanka. Five gates were placed at entrances. The more elaborate western gate is thought to have been reserved for the royals

Frescoes

John Still in 1907 suggested, "The whole face of the hill appears to have been a gigantic picture gallery... the largest picture in the world perhaps".[9] The paintings would have covered most of the western face of the rock, covering an area 140 metres long and 40 metres high. There are references in the graffiti to 500 ladies in these paintings. However, many more are lost forever, having been wiped out when the Palace once more became a monastery ? so that they would not disturb meditation.[citation needed] Some more frescoes, different from the popular collection, can be seen elsewhere on the rock surface, for example on the surface of the location called the "Cobra Hood Cave".


Although the frescoes are classified as in the Anuradhapura period, the painting style is considered unique;[citation needed] the line and style of application of the paintings differing from Anuradhapura paintings. The lines are painted in a form which enhances the sense of volume of the figures. The paint has been applied in sweeping strokes, using more pressure on one side, giving the effect of a deeper colour tone towards the edge. Other paintings of the Anuradhapura period contain similar approaches to painting, but do not have the sketchy lines of the Sigiriya style, having a distinct artists' boundary line. The true identity of the ladies in these paintings still have not been confirmed. There are various ideas about their identity. Some believe that they are the wives of the king while some think that they are women taking part in religious observances. These pictures have a close resemblance to some of the paintings seen in the Ajanta caves in India

The frescoes, depicting beautiful female figures in graceful contour or colour, point to the direction of the Kandy temple, sacred to the Sinhalese.

The Mirror Wall

Originally this wall was so well polished that the king could see himself whilst he walked alongside it. Made of a kind of porcelain, the wall is now partially covered with verses scribbled by visitors to the rock. Well preserved, the mirror wall has verses dating from the 8th century. People of all types wrote on the wall, on varying subjects such as love, irony, and experiences of all sorts. Further writing on the mirror wall has now been banned.

The gardens

The Gardens of the Sigiriya city are one of the most important aspects of the site, as it is among the oldest landscaped gardens in the world. The gardens are divided into three distinct but linked forms: water gardens, cave and boulder gardens, and terraced gardens.

The water gardens

The water gardens can be seen in the central section of the western precinct. Three principal gardens are found here. The first garden consists of a plot surrounded by water. It is connected to the main precinct using four causeways, with gateways placed at the head of each causeway. This garden is built according to an ancient garden form known as char bagh, and is one of the oldest surviving models of this form.

The second contains two long, deep pools set on either side of the path. Two shallow, serpentine streams lead to these pools. Fountains made of circular limestone plates are placed here. Underground water conduits supply water to these fountains which are still functional, especially during the rainy season. Two large islands are located on either side of the second water garden. Summer palaces are built on the flattened surfaces of these islands. Two more islands are located farther to the north and the south. These islands are built in a manner similar to the island in the first water garden.

The third garden is situated on a higher level than the other two. It contains a large, octagonal pool with a raised podium on its northeast corner. The large brick and stone wall of the citadel is on the eastern edge of this garden.


The water gardens are built symmetrically on an east-west axis. They are connected with the outer moat on the west and the large artificial lake to the south of the Sigiriya rock. All the pools are also interlinked using an underground conduit network fed by the lake, and connected to the moats. A miniature water garden is located to the west of the first water garden, consisting of several small pools and watercourses. This recently discovered smaller garden appears to have been built after the Kashyapan period, possibly between the 10th and 13th centuries.

The boulder gardens

The boulder gardens consist of several large boulders linked by winding pathways. The gardens extend from the northern slopes to the southern slopes of the hills at the foot of Sigiriya rock. Most of these boulders had a building or pavilion upon them; there are cuttings that were used as footings for brick walls and beams.it is a vital component of the site.

The terraced gardens

The terraced gardens are formed from the natural hill at the base of the Sigiriya rock. A series of terraces rises from the pathways of the boulder garden to the staircases on the rock. These have been created by the construction of brick walls, and are located in a roughly concentric plan around the rock. The path through the terraced gardens is formed by a limestone staircase. From this staircase, there is a covered path on the side of the rock, leading to the uppermost terrace where the lion staircase is situated.